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NEW MEDIA ARTS

Traversing 8 Conlay

KSK Building

2018

Direction: Takashi Aiman, Azurin Nasir, Jonathan Liang

Visual Content: Takashi Aiman, Yasminkhai, Azurin Nasir

Videographer: Yasminkhai

Recap Video Post-editing: Takashi Aiman

Client: KSK Land / 8 Conlay

Type: Video Display / Exhibition / Experience / Installation

Size: 3 floor zig-zag emergency staircase space

Material: 10 60" TVs, wall mount, jarag lights

Software: Adobe Premiere Pro, Adobe After Effects

Traversing 8 Conlay is an event for a preview of the hotel residency.​ The concept was to bring the vibe of the 8 Conlay Hotel Residency into the main HQ of KSK Land. With only 4 floors functioning during the event, visitors were ushered across the emergency staircase when going downstairs as they experienced each floor, coordinated in distinct styles.

Commissioned to transform the stairwell with visuals and lighting, we placed 10 pieces of 60-inch LED TV along the 3 floor's wall. Featuring visuals/aesthetics made from the finest elegance of 8 Conlay such as marble, fine steel, and gold lines, we reconstructed the classic old fire emergency staircase into a mesmerising visual enjoyment.

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Shiseido Malaysia
Essential Energy Launch

Kuala Lumpur

2018

Direction: Takashi Aiman, Shiseido

Visual Content: Takashi Aiman, Saw Quan Nen

Interactivity Programmer: Saw Quan Nen

Videographer: Bulan Photocinema

Recap Video Post-editing: Takashi Aiman

Fabrication: Freeform Sdn. Bhd.

Client: Shiseido Malaysia, Freeform Sdn. Bhd.

Type: Interactive Visual Room / Space

Size: 5M (W) X 3M (L) X 4M (H)

Material: String curtains, Xbox Kinect 360, projector, 55" TV

Software: Adobe After Effects, Plexus, Resolume Arena, Processing, Spout, Kinect for Windows SDK

"Energy Channel" interactive experience for Shiseido Malaysia "Essential Energy" Launch 2018. An exploration of Plexus visuals, and visual effects towards 4 layers of string curtains. Upon that we added a Kinect interaction generative visuals overlayed over the main visuals. Metaphorically representing / visualize the energy surrounding the people's body on screen. This work were also exhibited for the Essential Energy Suria KLCC roadshow.

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Unboxing Box TWU @ Urbanscapes 2018

2 Hang Kasturi

2018

Direction: Takashi Aiman, Old Head Jin

Visual Content: Takashi Aiman

Projection Mapping: Takashi Aiman

Video: Takashi Aiman

Client: This Way Up Records

Type: Projection Mapping on sculpture

Size: 40CM (W) X 120CM (L) X 170CM (H)

Material: 9 40CM cardboard boxes, projector

Software: Adobe Premiere Pro, Resolume Arena

For the first-ever showcase of the new upcoming promising diversified record label – This Way Up Records, with support from the annual arts celebration Urbanscapes Festival 2018, The Tomoe was assigned to do a simple decoration. We did projection mapping visuals on top of nine 40 cm cubic boxes which served as a photo backdrop for the audience.

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The JUICE Features @
JUICE 15th Anniversary

KYO Club, Kuala Lumpur

2017

Direction: Takashi Aiman, Euseng Seto, JUICE MY

Visual Content: Takashi Aiman, Teddy Nasril

Projection Mapping: Takashi Aiman

Interactivity Programmer: Takashi Aiman

Sculpture Design: Takashi Aiman

Videographer: Yasminkhai, Zaihisham Kiddd

Recap Video Post-editing: Takashi Aiman

Client: JUICE Malaysia

Type: Projection Mapping on sculpture plus MIDI interactivity, photo backdrop

Size: Backdrop Sculpture – 35CM (W) X 200CM (L) X 200CM (H),

JUICE Lettering – 13CM (W) X 152CM (L) X 61CM (H)

Material: Plywood for backdrop sculpture, steel for JUICE lettering sculpture,

               Projector, AKAI LPD8

Software: Adobe Premiere Pro, Adobe After Effects, Cinema4D, Resolume Arena

Provided 1 interactive installation "insta-worthy" photo backdrop, 1 projection mapping for the JUICE lettering sculpture, and made the official promo video for the event. The photo backdrop installation titled "JUICE FEATURES" consists of the past, physical JUICE magazine front covers which intend to bring a nostalgic feel and to make the audience have their own set of front cover features.

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Generative Kinect @
JUICE 13th Anniversary

Blackbox Publika

2015

Direction: Takashi Aiman

Visual Content: Takashi Aiman, Teddy Nasril

Projection Mapping: Takashi Aiman, Teddy Nasril, Saw Quan Nen

Interactivity Programmer: Saw Quan Nen, Takashi Aiman

Videographer: Yasminkhai, Edzreen Syahira

Recap Video Post-editing: Takashi Aiman

Client: JUICE Malaysia

Type: Projection Mapping on sculpture, Kinect interactive artwork

Size: Kinect space – 3M (W) X 4M (L) X 2M (H),

JUICE Lettering – 13CM (W) X 152CM (L) X 61CM (H)

Material: Xbox Kinect 360, steel for JUICE lettering sculpture, Projector

Software: Adobe Premiere Pro, Adobe After Effects, Cinema4D, Resolume Arena, Processing, Spout, Kinect for Windows SDK

We did 1 generative visual interactive showcase using Kinect, Resolume and sound detection, and 1 projection mapping to JUICE lettering sculpture. We also did the official teaser, promo, and recap video.

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Light Dimension & Light Pieces @ Iskarnival Kreatif 2016

Mall of Medini, Johor Bharu

2016

Direction: Takashi Aiman, Teddy Nasril

Visual Content: Takashi Aiman, Teddy Nasril, Yasminkhai

Projection Mapping: Takashi Aiman

Interactivity Programmer: Takashi Aiman

Sculpture Design: Teddy Nasril

Mural Design: Dzarull Jeffry

Videographer: Yasminkhai

Recap Video Post-editing: Takashi Aiman

Client: LabDNA, UEM Sunrise

Type: Projection Mapping on mural, Interactive sculpture

Size: Light Dimension – ±4M (L) X ±2.5M (H),

Light Pieces – 1M (W) X 1M (L) X ±2M (H)

Material: Masking tape with spray paint for mural, plaster, nylon strings, grid steel frame,

               projectors, webcam

Software: Adobe Premiere Pro, Adobe After Effects, Resolume Arena, Webcam Zone Trigger

LIGHT DIMENSION
In collaboration with Dzarull Jeffry, who drew and co-designed the mural, we projected visuals of lines, colors, and shapes onto the black-and-white mural, infusing depth and exploring its dimensions on a flat wall. The installation invited the audience to feast on the cinematic-like visual effects as they dove into various dimensional perspectives that shifted on diverse projected visuals. Some found the mural floating, some saw a literal sticker, some enjoyed the depth, some conjured illusions, and some were just having fun for insta-worthy shots.

LIGHT PIECES
Created by Teddx, this project explored the potential of visual projection of physical mass/sculptures in mid-air, and how it can decorate and fill the space. Using minimal yet carefully crafted and selected materials, the pieces were made into different shapes, weights, and placements with an experimental touch. Then we placed a visual projection from below and reflected it with a mirror at the top so the visuals were shown at the front and subtly at the back of the sculptures. On top of that, we placed a box at each corner which triggered different visuals in the installations as visitors passed through, surprising them with distinct visual effects.

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Arttech KL 2017

The Slate, Kuala Lumpur

2017

Direction: Takashi Aiman

Visual Content: Takashi Aiman

Projection Mapping: Takashi Aiman

Interactivity Programmer: Rohan

Illustration and Fabrication: Huzaifah Mahmud

Videographer: Yasminkhai

Recap Video Post-editing: Takashi Aiman

Client: Nolly Sdn. Bhd.

Type: Projection Mapping on painting, Arduino interactivity

Size: 2M (L) X 1M (H)

Material: Printed illustration on canvas, speakers, Arduino, plants, projector

Software: Adobe Premiere Pro, Resolume Arena, Processing, Arduino

- Event branding and design poster

- Co-organize / co-curate

- Revise event proposal

- Co-host the event and moderate the Panel Discussion

- One installation artwork in collaboration with Huzaifah Mahmud and Rohan from Biji-Biji Initiative

The Installation artwork was mostly focused on Huzaifah Mahmud's masterpiece:
Digital Device Distraction Syndrome (3D S)

www.behance.net/gallery/44618637/Digital-Device-Distraction-Syndrome-(3D-s)

 

​Takashi Aiman provides the visuals and project maps on the illustration to create depth, adding more to the aesthetics. Rohan from the Biji-Biji Initiative helps provide and program the touch interaction using plants as the triggering button medium to trigger different sounds and visuals.

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Submorph

Cyberjaya

2015

Hanis Takashi Aiman solo artwork

Actress: Balqis

Carpenter: Norman Hassin

Videographer: Yasminkhai, Yat Nazari

Recap Video Post-editing: Takashi Aiman

Type: Installation artwork, sound installation, primordial sound meditation, interactive artwork

Size: 4FT (W) X 4FT (L) X 5FT (H)

Material: Wooden box/room, speakers, subwoofer, bass amp, PC monitor, KORG nanopad, self-made buttons, projector

Software: Adobe Premiere Pro, Resolume Arena, Ableton Live, Processing

To educate people about the existence of sub-bass and its nature, featuring various types of knowledge involving three of our senses; sight, hear, and touch. Moreover, to creates a new experience of meditating (primordial sound meditation), help people develop calmness, and prevents ignorance issues.

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Terra

Cyberjaya

2014

Direction: Takashi Aiman, Saw Quan Nen

Visual Content: Takashi Aiman

Projection Mapping: Azurin Nasir, Teddy Nasril

Interactivity Programmer: Takashi Aiman

Sculpture Design: Takashi Aiman, Saw Quan Nen

Videographer: Yasminkhai

Recap Video Post-editing: Takashi Aiman

Type: Installation artwork, sound installation, interactive artwork, projection mapping

Size: ±3M (W) X ±3M (L) X ±3M (H)

Material: 20 IKEA side tables, home theatre soundsystem, projectors, webcam

Software: Adobe Premiere Pro, Resolume Arena, Ableton Live, Webcam Zone Trigger

This project executed an installation on the MMU FCM garden, to remind people who spend too much of their time in Cyber-Blue (internet), labs theories, and desks why we enjoyed running through the local garden when we were young, to look at the green and recall the time when we want to remain at the “Never-land” and live in the tree forever. There were plants covering the garden and we installed artworks of installations, sculptures, and more in planning concerning nature.

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Takashi At Source

Kuala Lumpur

2013

Hanis Takashi Aiman solo artwork

Type: Installation artwork, interactive artwork, photo exhibition/gallery

Size: Various

Material: Projectors, Leap Motion

Software: Adobe Premiere Pro, Adobe Flash, Gemini

It is a great opportunity to get to join the Japan exchange program trip for 9 days fully funded by Japan government. This program is called JENESYS 2.0, representing MMU and Malaysia. During this trip, Takashi learned so many things about the culture and Japanese ways of thinking. It is a life-changing moment. Upon that, things are mostly recorded in photography form. Thus, it will be good to share the experience with all.

 

More details at www.icicm.mmu.edu.my/awards/

Used a flash application to make a photo gallery that features a lot of photos during the Japan trip. Using motion detection, wave your hand to control the gallery to slide left or right.

Let's combine our ideas + create something new together.

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